Why do similar patterns appear in nature in settings that seem to bear no relation to one another? Nature commonly weaves its tapestry by self-organization, employing no master plan or blueprint but by simple, local interactions between its component parts and gives rise to spontaneous patterns. This book tells how nature's patterns are made.

Why do similar patterns and forms appear in nature in settings that seem to bear no relation to one another? The windblown ripples of desert sand follow a sinuous course that resembles the stripes of a zebra or a marine fish. In the trellis-like shells of microscopic sea creatures we see the same angles and intersections as for bubble walls in a foam. The forks of lightning mirror and the branches of a river or a tree, this book explains why these are no coincidences. Nature commonly weaves its tapestry by self-organization, employing no master plan or blueprint but by simple, local interactions between its component parts - be they grains of sand, diffusing molecules or living cells and gives rise to spontaneous patterns that are at the same time complex and beautiful. Many of these patterns are universal: spirals, spots, and stripes, branches, honeycombs. Philip Ball conducts a profusely illustrated tour of this gallery, and reveals the secrets of how nature's patterns are made.

Foreward
Preface
1. Patterns
2. Bubbles
3. Waves
4. Bodies
5. Branches
6. Breakdowns
7. Fluids
8. Grains
9. Communities
10. Principles
Appendices
Bibliography