'New Medieval Literatures' is an annual containing the best new interdisciplinary work in medieval textual cultures. Themes in Volume 3 are the production of knowledge and text, cultural change and exchange, from early medieval China to 15th-century England. There is also a prize-winning essay in their first competition for younger scholars.

New Medieval Literatures is an annual of work on medieval textual cultures. It provides a venue for innovative essays that deploy diverse methodologiesDStheoretical, archival, philological and historicist. The editors, active in three continents and supported by a distinguished multidisciplinary Advisory Board, aim to engage with intellectual and cultural pluralism in the Middle Ages and now.

Introduction: Production, Place, and Fantasy
Dante in Somerset: Ghosts, Historiography, Periodization
The Four Last Things in Dante and Chaucer: Ugolino in the House of Rumour
Another Country: AElfric and the Production of English Identity
Forgery at the University of Cambridge
Rivalry and Reciprocity in Lydgate's Troy Book
Reading Caxton: Transformations in Capital, Authority, Prints, and Persona in the Late Fifteenth Century
'Studying' in the Middle AgesDSand in Piers Plowman
School and Scorn: Gender in Piers Plowman
Dirty Stories: Abjection in the Fabliaux
Panoptican in her Bedroom: Voyeurism and the Concept of Space in the Love Lyrics of Early Medieval China
Analytical Survery 3: The New Philology
Index