Gendering Musical Modernism
The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon

This book explores the work of three significant American women composers of the twentieth century.

This book explores the work of three significant American women composers of the twentieth century: Ruth Crawford, Marion Bauer and Miriam Gideon. It offers a unique approach to a rich body of music that deserves theoretical scrutiny and provides information on both the lives and music of these fascinating women, skillfully interweaving history and musical analysis in ways that both the specialist and the more general reader will find compelling. In this important study, Ellie Hisama has employed forms of analysis by which she links musical characteristics with aspects of the composers' identities. This is revealing both for questions of music and gender and the continuing search for meaning in music. The book thus draws attention to the value of the music of these three composers and contributes to the body of analytical work concerned with the explanation of musical language.

List of figures
List of tables
List of examples
Foreword Ian Bent
Acknowledgments
List of abbreviations
Note about technical terms
1. Cultural analysis and post-tonal music
2. The question of climax in Ruth Crawford's String Quartet, third movement
3. Inscribing identities in Crawford's String Quartet, fourth movement
4. The politics of contour in Crawford's 'Chinaman, Laundryman'
5. Gender, sexuality, and performance in Marion Bauer's Toccata
6. Musical sublimation in Bauer's 'Chromaticon'
7. 'A Woman's Way of Responding to the World': Miriam Gideon's 'Night is My Sister'
8. Feminist agency in Gideon's 'Esther'
Epilogue
Bibliography
Index.