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Bike Boys, Drag Queens and Superstars
Avant Garde, Mass Culture and Gay Identities in the 1960's Underground Cinema

 

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Word Power Books

Bike Boys, Drag Queens and Superstars
Avant Garde, Mass Culture and Gay Identities in the 1960's Underground Cinema

by Juan Suarez (Author)

 

Hardback

ISBN: 9780253329714

 

Availability: This is a print on demand item and it could take up to 6 weeks to be despatched.

 

Our Price: £19.94

RRP £20.99 , Save £1.05

 

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At the confluence of experimental art and the gay subculture of early 1960s New York, the author discovers a postmodern, gay-influenced aesthetic that "recycles" popular culture. He begins with the intellectual and institutional history, and the cultural politics, of American underground cinema.


At the confluence of experimental art and the gay subculture of early 1960s New York, Juan Su rez discovers a postmodern, gay-influenced aesthetic that "recycles" popular culture. Filmmakers Kenneth Anger, Jack Smith, and Andy Warhol epitomize this sensibility, combining the influences of European avant-garde movements, comic books, rock "n" roll, camp, film cults, drag performance, fashion, and urban street cultures. Su rez contends that the avant-garde must be understood in relation to dominant modes of artistic and cultural production, including mass culture and the practices and varieties of community. Beginning with the intellectual and institutional history, and the cultural politics, of American underground cinema, Su rez moves to the filmmakers' work - Anger's taste for ornamentation, stylistic excess, and hot-rod and motor-cycle subcultures; Smith's interest in 1920s and 40s movie glamour and decaying urban landscapes; and Warhol's explorations of style, fashion, and superstardom.


 

ISBN 25332971
ISBN13 9780253329714
Publisher Indiana University Press
Format Hardback
Publication date 01/06/1996
Pages 384 pp
Weight (grammes) 613
Published in United States
Height (mm) 140
Width (mm) 216

Introduction
Chapter 1. Avant-Garde and Mass Culture: Mapping the Dialectic
Chapter 2. The American Underground as a Cultural Formation: Practices, Institutions, and Ideologies
Chapter 3. The 1960s Underground as Political Postmodernism: From the New Sensibility to Cultural Activism
Chapter 4. Pop, Queer, or Fascist: The Ambiguity of Mass Culture in Kenneth AngerOs Scorpio Rising (1963)
Chapter 5. Drag, Rubble, and OSecret FlixO: Jack SmithOs Avant-Garde Against the Lucky-Landlord Empire
Chapter 6: The Artist as Advertiser: Stardom, Style, and Commodification in Andy WarholOs Underground Films
Conclusions
Filmography
Bibliography
Index