Art History Portable Edition by Marilyn Stokstad offers exactly the same content as Art History, Third Edition but in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods. Book 4: Art History: Fourteenth to Seventeenth Century Art can be used for such courses as:
*Fourteenth-Century Art in Europe
*Fifteenth-Century Art in Northern Europe and the Iberian Peninsula
*Renaissance Art in Fifteenth Century Italy
*Sixteenth-Century Art in Italy
*Sixteenth-Century Art in Northern Europe and the Iberian Peninsula
*Baroque Art Book 1: Art History: Ancient Art Book 2: Art History: Medieval Art Book 3: Art History: A View of the World, Part One: Asian, African, and Islamic Art and Art of the Americas Book 4: Art History: Fourteenth to Seventeenth Century Art Book 5: Art History: A View of the World, Part Two: Asian, African, and Oceanic Art and Art of the Americas Book 6: Art History: Eighteenth to Twenty-First Century

Use Notes v
Starter Kit vi
Introduction xii
17. FOURTEENTH-CENTURY ART IN EUROPE 552
EUROPEIN THE FOURTEENTH CENTURY 554
ITALY557
Florentine Architecture and Sculpture 557
Florentine Painting 559
Sienese Painting 567
FRANCE572
Manuscript Illumination 572
Sculpture 573
ENGLAND575
Embroidery: Opus Anglicanum 575
Architecture 576
THE HOLY ROMAN EMPIRE 578
The Supremacy of Prague 578
Mysticism and Suffering 580
IN PERSPECTIVE 582
TIMELINE 583
BOXES
THE OBJECT SPEAKS The Triumph of Death 556
TECHNIQUE
Cennino Cennini (c. 1370--1440) on Painting 564
Buon Fresco 569
ART AND ITS CONTEXT
A New Spirit in Fourteenth-Century Literature 561
18. FIFTEENTH-CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA 584
HUMANISM AND THE NORTHERN RENAISSANCE 586
ART FOR THE FRENCH DUCAL COURTS 587
Painting and Sculpture for the Chartreuse de Champmol 588
Manuscript Illumination 590
The Fiber Arts 594
PAINTING IN FLANDERS 596
The Founders of the Flemish School 596
Painting at Midcentury: The Second Generation 604
EUROPE BEYOND FLANDERS 609
France 609
Spain and Portugal 611
Germany and Switzerland 613
THE GRAPHIC ARTS 614
Single Sheets 614
Printed Books 615
IN PERSPECTIVE 616
TIMELINE 617
BOXES
THE OBJECT SPEAKS Hans Memling's Saint Ursula Reliquary 608
TECHNIQUE
Woodcuts and Engraving on Metal 615
ART AND ITS CONTEXT
Altars and Altarpieces 591
Women Artists in the Late Middle Ages and the Renaissance 592
19. RENAISSANCE ART IN FIFTEENTH-CENTURY ITALY 618
HUMANISM AND THE ITALIAN RENAISSANCE 620
FLORENCE621
Architecture 623
Sculpture 628
Painting 634
Mural Painting in Florence after Masaccio 638
ITALIAN ART IN THE SECOND HALF OF THE FIFTEENTH
CENTURY 640
Urbino 640
Mantua 644
Rome 647
The Later Fifteenth Century in Florence 648
Venice 653
IN PERSPECTIVE 655
TIMELINE 657
BOXES
THE OBJECT SPEAKS The Foundling Hospital 626
TECHNIQUE
Brunelleschi, Alberti, and Renaissance Perspective 622
Ceramics 634
ART AND ITS CONTEXT
The Printed Book 652
20. SIXTEENTH-CENTURY ART IN ITALY 658
EUROPEIN THE SIXTEENTH CENTURY 660
ITALYIN THE EARLY SIXTEENTH CENTURY: THE HIGH
RENAISSANCE 662
Three Great Artists of the Early Sixteenth Century 662
Architecture in Rome and the Vatican 677
Architecture and Painting in Northern Italy 680
Venice and the Veneto 682
ART AND THE COUNTER-REFORMATION 687
Art and Architecture in Rome and the Vatican 688
MANNERISM 692
Painting 693
Manuscripts and Miniatures 696
Late Mannerism 698
LATER SIXTEENTH-CENTURY ART IN VENICE AND THE
VENETO699
Oil Painting 699
Architecture: Palladio 703
IN PERSPECTIVE 704
TIMELINE 705
BOXES
THE OBJECT SPEAKS Veronese Is Called Before the Inquisition 700
ELEMENTS OF ARCHITECTURE
The Grotto 677
Saint Peter's Basilica 679
ART AND ITS CONTEXT
Women Patrons of the Arts 688
DEFINING ART
The Vitruvian Man 665
21. SIXTEENTH-CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA 706
THE REFORMATION AND THE ARTS 708
EARLY SIXTEENTH-CENTURY ART IN GERMANY 709
Sculpture 709
Painting 711
RENAISSANCE ART IN FRANCE 720
The Introduction of Italian Art 720
Art in the Capital 722
RENAISSANCE ART IN SPAIN AND PORTUGAL 725
Architecture 725
Painting 725
RENAISSANCE PAINTING IN THE NETHERLANDS 728
Art for Aristocratic and Noble Patrons 728
Antwerp 731
RENAISSANCE ART IN ENGLAND 734
Artists in the Tudor Court 735
Architecture 738
IN PERSPECTIVE 740
TIMELINE 741
BOXES
THE OBJECT SPEAKS Sculpture for the Knights of Christ
at Tomar 724
MATERIALS AND TECHNIQUES
German Metalwork: A Collaborative Venture 714
ART AND ITS CONTEXT
Chenonceau: The Castle of the Ladies 722
Armor for Royal Games 737
22. BAROQUE ART 742
THE BAROQUE PERIOD 744
ITALY745
Architecture and Sculpture in Rome 745
Painting 754
THE HABSBURG LANDS 764
Painting in Spain's Golden Age 764
Architecture in Spain and Austria 770
FLANDERS AND THE NETHERLANDS 772
Flanders 774
The Dutch Republic 779
FRANCE793
Architecture and Its Decoration at Versailles 793
Painting 797
ENGLAND801
Architecture and Landscape Design 801
English Colonies in North America 805
IN PERSPECTIVE 806
TIMELINE 807
BOXES
THE OBJECT SPEAKS Brueghel and Rubens's Allegory of Sight 780
ELEMENTS OF ARCHITECTURE
French Baroque Garden Design 796
DEFINING ART
Grading the Old Masters 799
SCIENCE AND TECHNOLOGY
Science and the Changing Worldview 746
Glossary G1
Bibliography B1
Credits C1
Index I1