Containing a collection of over 200 musical compositions and movements, this book offers music theory classes illustrations of chords, voice-leading techniques, and forms. It is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

A landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, "Anthology for Musical Analysis, Postmodern Update" offers first - and second-year music theory classes a wealth of illustrations of chords, voice-leading techniques, and forms - plus some material for figured-bass realization and score reading. Because this book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

Part I: MEDIEVAL AND RENAISSANCE COMPOSITION. Introduction. Examples of Plainchant-Kyrie from Mass XIII
Tone for the Benedicamus Domino
Hymn to St. John the Baptist
Hymn for Lauds, December 25
Antiphon for Vespers, 3rd Sunday of Advent
Gloria Patri for the Introit of the Mass.Hildegard of Bingen-Excerpts from Ordo Virtutum (morality play). Guillaume de Machaut-De bon espoir-Puisque la douce rosee-Speravi (isorhythmic motet). Guillaume Dufay-Communio from Missa Sancti Jacobi (fauxbourdon). Josquin Desprez-Tu pauperum refugium (motet)
Baises moy (double canon).Giovanni Pierluigi da Palestrina-Sanctus and Benedictus from Missa Aeterna Christi Munera. Roland de Lassus-Three Duos: 2-Beatus homo
5-Expectatio
justorum
12-Sicut rosa.Examples of Stock Basses (late sixteenth century)-Claude Gervaise, Pavane Passamaize
Jacomo Gorzanis, Passamezzo and Saltarello (dance pair)
Greensleeves. Thomas Morley-Now is the Month of Maying (ballet). Carlo Gesualdo-Moro lasso al mio duolo (madrigal). Part II: BAROQUE
COMPOSITIONS. Introduction. Claudio Monteverdi-Lasciatemi morire (madrigal). Arcangelo Corelli-Adagio and Allegro from Violin Sonata, Op. 5, No. 1
Allemanda from Trio Sonata, Op.
4, No. 11.Henry Purcell-Dido's Lament from Dido and Aeneas.
Elisabeth Jacquet de La Guerre-Prelude from Suite II of Pieces de Clavecin. Francois Couperin-Les Moissonneurs from Pieces de Clavecin, Ordre VI.Notebook for Anna Magdalena Bach-Four Pieces: March, Minuet, Aria, Polonaise. George Frideric Handel-Concerto Grosso in B minor, Op. 6, No. 12 (in score):
Largo, Allegro
Air from Suite No. 5 in E major (variations)
Chorus: "Wretched Lovers" from Acis and Galatea
Recitative: "Thy rebuke hath broken his heart" from Messiah
Aria: "Where'er you walk" from Semele. Johann Sebastian Bach-Gavottes I and II from English Suite No. 3 in G minor
Minuets I and II from Suite No. 1 in G major for Violoncello Solo
Chaconne from Partita No. 2 in D minor for Violin Solo
Two Inventions: No. 4 in D minor, No. 12 in A major
Preludes and Fugues from The Well-Tempered Clavier from Book I: Prelude 1 in C major, Fugue 11 in F major, Fugue 16 in G minor, Fugue 21 in B flat major
from Book II: Prelude and Fugue 9 in E major (with the Fugue in E major of J.K.F. Fischer, ca. 1665-1746)
Contrapunctus VII from The Art of the Fugue
Four Canons from The Musical Offering
Crucifixus from Mass in B minor
O Gott, du frommer Gott (chorale variation)
Two Chorale Preludes: Wenn wir in hochsten Noten sein, Vor deinen Tron tret' ich hiermit.Domenico Scarlatti-Sonata in D major, K. 96
(Longo 465). Part III: CLASSICAL COMPOSITIONS. Introduction. Joseph Haydn-Piano Sonata No. 36 in C sharp minor, first movement
Piano Sonata No. 37 in D major, third movement
String Quartet in G minor, Op. 74, No. 3, second movement
Symphony No. 101 in D major, third and fourth movement (in score). Muzio Clementi-Sonatina in G major, Op. 36, No.2, first movement.Wolfgang Amadeus Mozart-Divertimento No. 14 for wind
sextet, K. 270, second movement
Theme with Variations from
Piano Sonata in D major, K. 284
Piano Sonata in B flat major, K. 333: Allegro, Andante cantabile, Allegretto grazioso

Fantasia in C minor, K. 475
The Bird-Catcher's Song from The Magic Flute, K. 620
Clarinet Concerto in A major, K. 622, first movement (in score).Ludwig van Beethoven-Piano Sonata No. 1 in F minor, Op. 2, No. 1, first movement
Piano Sonata No. 4 in E flat major, Op. 7, second movement
Piano Sonata No. 5 in C minor, Op. 10, No. 1, second movement
Piano Sonata No. 8 in C minor, Op. 13 ("Pathetique"): Grave, Allegro di molto e con brio, Adagio cantabile, Allegro
Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement
Sonata for Violin and Piano ("Spring"), Op. 24, first movement
Piano Sonata No. 15 in D major, Op. 28, third movement
Piano Sonata No. 21 in C major ("Waldstein"), Op. 53, first movement
String Quartet in E minor, Op. 59, No. 2, first movement

String Quartet No. 13 in B flat major, Op. 130, second movement. Part IV: ROMANTIC COMPOSITIONS. Introduction. Carl Friedrich Zelter-"Der Konig in Thule".Franz Schubert-Three Lieder: "Nahe des Geliebten", "Der Doppelganger" from Schwanengesang, "Erlkonig"
Two Piano Pieces: Waltz in A flat major, Op. 9, No. 2, Moment Musical in A flat major, Op. 94, No. 6.Fanny Mendelssohn Hensel-"O Herbst" (a cappella chorus).Felix
Mendelssohn-Song Without Words, Op. 19b, No.1.Robert Schumann-Seven Pieces from Album for the Young, Op. 68: 1-Melody, 3-Humming Song, 6-Poor Orphan Child, 8-Wild Rider, 14-Little
Etude, 17-Little Morning Wanderer, 31-War Song
Vogel als Prophet from Waldszenen, Op. 82
"Er, der herrlichste von allen" from Frauenliebe und -leben, Op. 42.Frederic Chopin-Five
Preludes from Op. 28: No. 1 in C major, No. 4 in E minor, No. 6 in B minor, No. 9 in E major, No. 19 in E flat major, No. 20 in C minor
Four Mazurkas: No. 5 in B flat major, Op. 7, No. 1
No. 6 in A minor, Op. 7, No. 2
No. 37 in A flat major, Op. 59, No. 2
No. 49 in F minor, Op. posth. 68, No. 4
Nocturne in D flat major, Op. 27, No. 2.Richard Wagner-Prelude to Act I from Tristan und Isolde.Clara Schumann-Andante
espressivo from Quatre Pieces fugitives, Op. 15.Cesar Franck-Moderato from Chorale No. 1 in E major for organ.Johannes Brahms-Variations on a Theme of Robert Schumann, Op. 9 (excerpt)
"Wie Melodien zieht er mir," Op. 105, No. 1
Three Intermezzos: Intermezzo in A minor, Op. 76, No. 7
Intermezzo in A major, Op. 118, No. 2
Intermezzo in C major, Op. 119, No. 3
Sonata in F minor for Clarinet and Piano, Op. 120, No.
1, first movement.Hugo Wolf-Two Songs: "Das verlassene Magdlein", "In der Fruhe".Gustav Mahler-Adagietto from Symphony No. 5 (score).Amy Beach-"Dark is the Night," from Three Songs, Op. 11. Part V: SINCE DEBUSSY. Introduction.Claude Debussy-Prelude -- "L'Apres-midi d'un faune"
La cathedrale engloutie, from Preludes, Book I. Arnold Schoenberg-No. 1 of Three Piano Pieces, Op. 11: Summer Morning by a Lake (Colors)
No.
3 of Five Pieces for Orchestra, Op. 16: Piano Piece, Op. 33a.Charles Ives-Two Songs: "The Cage"
"General William Booth
Enters into Heaven" (with the hymn "Cleansing Fountain") Maurice Ravel-"Le Martin-Pecheur" from Histoires Naturelles.Bela Bartok-Three Pieces from Mikrokosmos: Bulgarian Rhythm, Syncopation, Diminished Fifth
Music for String Instruments, Percussion, and Celesta
first movement (score). Igor Stravinsky-Le sacre du printemps, Introduction to Part II
Theme and Variations A, B, and C from Octet for Wind Instruments, second movement
"Full Fadom Five" from Three Songs from William Shakespeare
Pas-de-Quatre and Coda from Agon.Anton Webern-Five Movements for String Quartet, Op. 5, fourth movement
"Wie bin ich froh!" from Drei Lieder, Op. 25
Variations for Piano, Op. 27, second movement. Alban Berg-"Schlafend tragt man mich" from Vier Lieder, Op. 2.Paul Hindemith-"A Swan"
from Six Chansons
Fuga prima in C from Ludus Tonalis. Ernst Krenek-Suite for Violoncello Solo, Op. 84, first movement.
Ruth Crawford Seeger-String Quartet 1931, third movement. Luigi Dallapiccola-Simbolo, No. 1 from Quaderno Musicale di Annalibera. Olivier Messiaen-Liturgie de cristal, No. 1 from Quatuor pour la fin du temps. Elliott Carter-Canaries from Eight Pieces for Four Timpani. William Schuman-Three-Score Set, second movement. John Cage-For Paul Taylor and Anita Dencks.Milton Babbitt-"Play on Notes" for children's voices and bells
Semi-Simple Variations.Gyorgy Ligeti-No. 1 of Ten Pieces for Wind Quartet. George Crumb-" Por que naci entre espejos? from Madrigals, Book IV.Toru Takemitsu-Autumn from Rocking Mirror Daybreak for violin duo. Terry Riley-In C.Steve Reich-Clapping Music. Bruce Saylor-"Psalm 13" from Four Psalm
Settings.John Adams-"This is Prophetic" from Nixon in China. Part VI: POSTMODERN UPDATE. Astor Piazzolla - No. 6 of SIX
TANGO ETUDES for solo flute (1987). Gyorgy Ligeti - GALAMB BORONG from Etudes pour piano, deuxieme livre (1988-89). Gyorgy Kurtag - OFFICIUM BREVE IN MEMORIAM ANDREAE SZERVANSZKY Op. 28, for string quartet (1988-89). John Harbison - VARIATIONS for clarinet in A, violin, and piano (1982). Variations
I-VI. Joan Tower - WILD PURPLE for solo viola (1998). Ellen
Taaffe Zwilich - STRING QUARTET No. 2 Second movement (1998). Fred Lerdahl - FIRST STRING QUARTET Variations I-X (1978). Kaija Saariaho - ATTENTE from Quatre Instants for soprano and piano (2002). Appendix A: Two Jazz Forms: Blues and Rhythm Changes. Appendix B: Mostly Chorale Harmonizations.