This study considers Angela Carter's work in media, including five radio plays, two film adaptations, a television documentary, two unrealized screenplays, an operatic libretto and a stage play. It refers to exclusive interviews with directors and producers with whom Carter collaborated.

This study considers Angela Carter's work in media, a critically neglected body of work comprising five radio plays, two film adaptations and a television documentary, as well as two unrealized screenplays, an operatic libretto and a stage play. Charlotte Crofts undertakes detailed textual analysis of unpublished work, including the poem "Unicorn" (1966) and "The Holy Family Album" (1991). She refers extensively to exclusive interviews with directors and producers with whom Carter collaborated. Included are the first publication of photographs from the set of "The Magic Toyshop" (1986), and excerpts from the script and storyboard of "The Holy Family Album".

List of figures
List of tables
Acknowledgements
Introduction: 'Anagrams of desire: Angela Carter's writing for radio, film and television'
1. 'Aural hallucinations': Radio drama
2. 'Voices in the dark': 'The Company of Wolves' and other radio plays
3. 'Artificial biography': 'Come Unto these Yellow Sands' and 'A Self-Made Man'
4. 'Anything that flickers': The cinema
5. (Re)animating the body of the text: 'The Company of Wolves'
6. Looking askance: 'The Magic Toyshop'
7. 'The box does furnish a room': Television
8. Acting up on the small screen: 'The Holy Family Album'
'Envol'
Bibliography
Index